Give Me Some Sugar: Getting to Know Carla Cabrera-Tomasko

April 22, 2013 | By | Comments (2)
Andrew Cebulka

Photo by Andrew Cebulka

In “Give Me Some Sugar,” Emily Hilliard introduces us to some of the South’s most talented female pastry chefs, courtesy of the Southern Foodways Alliance. They do right by the classics while developing a new canon of their own. Check back every Monday to meet a reason to save room for dessert.

Who: Carla Cabrera-Tomasko
Where: Bacchanalia, 1198 Howell Mill Road, Atlanta, GA

“The Global South” is a popular concept in cultural studies these days. Simply put, it’s a way to compare cultural, political, historical, and socioeconomic trends among the world’s many “Souths”—places like Southeast Asia, Latin America, the Caribbean, and sub-Saharan Africa. Here at home, examining the Global South also means looking at international influences on American Southern culture—as well as the American South’s cultural influence on other parts of the world. In 2010, The Global South was the theme of the Southern Foodways Alliance’s annual symposium, and featured talks on topics ranging from the Cuban influence on Floridian cuisine, to Croatian and Vietnamese shrimpers in Mississippi, to the African origins of rice production in the Lowcountry of South Carolina and Georgia.

The work of pastry chef Carla Cabrera-Tomasko is part of this picture of the Global South. Growing up in Ecuador, she started selling cakes at age 16. “My aunt taught me to make cakes and flan,” says Carla. “I always liked being in the kitchen.” As her cake business grew, she wanted to learn more about the culinary arts. Her cousin told her about the Atlanta Art Institute’s Culinary Arts program, and in 2000 she moved to Atlanta to enroll.

courtesy of Star Provisions

courtesy of Star Provisions

Carla’s desserts at Anne Quatrano and Clifford Harrison’s Bacchanalia often feature locally sourced ingredients and typical Southern products, interpreted through her memories of what she grew up eating in Ecuador. Earlier this month, for example, the Bacchanalia dessert menu featured a tres leches cake with fresh Florida strawberries. Last summer she made blueberry hand pies, which simultaneously recalled South American empanadas and traditional Southern fried pies.

“I try not to be too crazy or copy something that’s already been done. I don’t want to recreate, but I want to inspire the memory,” she says. She explains a dessert she recently made for the Southern Foodways Alliance’s New South Family Supper: her take on the Tango, a popular packaged cookie in Ecuador. “It’s two vanilla wafers sandwiched with vanilla cream and covered in chocolate. It’s like a Moon Pie,” Carla says. “When I was little, I would buy them all the time.”

Carla likes finding these intersections between the cuisines of her two homes, and says it’s a way for her to feel connected to the South while expressing her own heritage. “There’s a lot of overlap between Ecuador and the American South,” she says. “For instance, I grew up eating grits, but in a different way. It’s prepared differently, but the grain itself is the same. It’s from this region, but also reminds me of home.”

Emily Hilliard is a writer, folklorist, and baker based in Washington, D.C. She blogs at Nothing in the House and tweets at @housepie.


  1. Leah Meyer

    Hi, I am doing a school assignment on Carla Tomasko and Bacchanalia, and I was wondering if you knew of any public social media accounts she may have, or a portfolio she has? I am looking to find some of her plated desserts for the project. Thank you.

    September 20, 2016 at 4:53 pm
  2. Give Me Some Sugar: Wrapping It Up – The Daily South | Your Hub for Southern Culture

    […] of the chefs I spoke to, including Cheryl Day, Christina Tosi, and Carla Cabrera-Tomasko, learned to bake at home from the matriarchs in their family. As adults, they professionalized […]

    May 13, 2013 at 4:55 pm

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